Vol. 7 (2010): Mūzikas akadēmijas raksti

View Vol. 7 (2010): Mūzikas akadēmijas raksti

Published: 30.10.2010

Full Issue

ARTIST AND TIME

DIE PERSÖNLICHKEIT VON BURKHARD WALDIS IM KONTEXT DER RENAISSANCE, DES NÖRDLICHEN HUMANISMUS UN DER IDEEN DER REFORMATION

Ilze Šarkovska-Liepiņa

6–28
- PDF (Latvian)
- PDF Summary
MAX KLINGER, JOHANNES BRAHMS AND THE PROMISE OF THE GESAMTKUNSTWERK: REVISITING KLINGER’S BRAHMS-PHANTASIE (1894)

Kevin C. Karnes

29–49
- PDF (Latvian)
- PDF Summary
DIE TYPISCHEN STILZÜGE VON ĀDOLFS SKULTE UND DEREN RESÜMEE IN SEINER SINFONIK (ZUR HUNDERTJAHRE-GEDENKFEIER DES KOMPONISTEN)

Armands Šuriņš

50–76
- PDF (Latvian)
- PDF Summary

MUSICAL COMPOSITION RESERACHED BY SCHOLARS OF HARMONY, FORM AND GENRE

THE IMAGINATIVE FUNCTIONS OF CADENZA AS FORM IN THE MUSIC PIECES BY JĀNIS IVANOVS

Ilma Grauzdiņa

77–94
- PDF (Latvian)
- PDF Summary
THE CONCERT FOR TWO OBOES AND STRING ORCHESTRA BY PĒTERIS PLAKIDIS: SOME ASPECTS OF GENRE AND FORM

Jeļena Ļebedeva

95–117
- PDF (Latvian)
- PDF Summary
THE EXPRESSION OF LIBROGENRE MUSIC IN CREATIVE WORK BY PĒTERIS VASKS

Ilona Būdeniece

118–139
- PDF (Latvian)
- PDF Summary
THE EXPRESSION OF COMPOSITION TECHNIQUE AND SPECIFIC FEATURES OF PIANO PLAYING IN THE CONCERTO SYMPHONY FOR TWO PIANOS AND ORCHESTRA BY JURIS KARLSONS

Endijs Renemanis

140–159
- PDF (Latvian)
- PDF Summary
THE MAIN PRINCIPLES OF THE SET THEORY

Rolands Kronlaks

160–170
- PDF (Latvian)
- PDF Summary